ADWIT: The Audio Drama Writers' Independent Toolkit Podcast

How can a story told one way be told in a different way, without losing its impact? How can a non-audio-drama story make the most of audio drama’s craft? Join Sarah and Lindsay as they sort out some tools to better understand some best practices in adaptation for audio drama. 

Episode VIII: Adaptation – ADWIT: The Audio Drama Writers' Independent Toolkit

How can a story told one way be told differently, without losing its impact? How can a non-audio-drama story make the most of audio drama's craft? Join Sarah and Lindsay as they sort out some tools to better understand some best practices in adaptation for audio drama. Warning and/or Spoilers: War of the Worlds,  Jarnsaxa Rising, Resources: Albert's Beginner's Guide to Symphonic MetalThe War of The Worlds by H. G. Wells at Gutenberg.orgWar of the Worlds by Mercury Radio Theater (YouTube link) The Infamous "War of the Worlds" Radio Broadcast Was a Magnificent Fluke Smithsonian magazineTime After Time trailer (YouTube link)Thrymskvitha, or The Lay of ThrymWeird World Studios: adapting The Gift of The MagiThe Rocking Horse Winner by D. H. LawrenceSubscribe or Follow us, so you can be sure to hear all future episodes. Tell us what you think, on Twitter, at @ADWITpodcast.Like what you heard? Write a review at Podchaser or Apple Podcasts.Or, write to us, at writersadwit@gmail.com. You can also comment on our page at Galas. Find this episode in the list, and either write to us or record a voice message. 

Warning and/or Spoilers: War of the Worlds,  Jarnsaxa Rising, 

Resources: 
Albert’s Beginner’s Guide to Symphonic Metal
The War of The Worlds by H. G. Wells at Gutenberg.org
War of the Worlds by Mercury Radio Theater (YouTube link) 
The Infamous “War of the Worlds” Radio Broadcast Was a Magnificent Fluke, Smithsonian magazine
Time After Time trailer (YouTube link)
Thrymskvitha, or The Lay of Thrym
Weird World Studios: adapting The Gift of The Magi
The Rocking Horse Winner by D. H. Lawrence

Subscribe or Follow us, so you can be sure to hear all future episodes.

Tell us what you think, on Twitter, at @ADWITpodcast.

Like what you heard? Write a review at Podchaser or Apple Podcasts.

Or, write to us, at writersadwit@gmail.com. 

What are you saying, and what are you really saying? How your audio drama writing says what it says says a lot. This episode, Sarah and Lindsay talk about text and subtext, and some ways to play with it. Also, they’ll survive a big cat attack, explore bad urban planning, and teach you the platform exercise.  Join us for another episode of The Audio Drama Writers’ Tool Kit.

Episode VI: Text and Subtext – ADWIT: The Audio Drama Writers' Independent Toolkit

What are you saying, and what are you really saying? How your audio drama says what it says says a lot. This episode, Sarah and Lindsay talk about text and subtext, and some ways to play with it. Also, they'll survive a big cat attack, explore bad urban planning, and teach you the platform exercise. CONTENT WARNING: Lindsay says one expletive, in reference to casinos. WARNING and/or BONUS: Contains spoilers for Tin Can Audio's Dungeon Economic Model. Subscribe or Follow us, so you can be sure to hear all future episodes.Tell us what you think, on Twitter, at @ADWITpodcast.Like what you heard? Write a review at Podchaser or Apple Podcasts.Or, write to us, at writersadwit@gmail.com. You can also comment on our page at Galas. Find this episode in the list, and either write to us or record a voice message. 

CONTENT WARNING: Lindsay says one expletive, in reference to casinos. 

WARNING and/or BONUS: Contains spoilers for Tin Can Audio’s Dungeon Economic Model. 

Subscribe or Follow us, so you can be sure to hear all future episodes.
Tell us what you think, on Twitter, at @ADWITpodcast.
Like what you heard? Write a review at Podchaser or Apple Podcasts.
Or, write to us, at writersadwit@gmail.com.